Painting with a Palette Knife

Outbuildings, 9 x 12, oil on canvas, copyright Pat Aube Gray 2008

I had a great time these past three days in a palette knife oil workshop I held in the teaching studio at Carriage House Art Center in Blairsville (www.carriagehouseartcenter.com). Had a great group, including several returning students whom I have not seen in a while, so it was a little like old home week. Everyone did a great job on their paintings, some jumping right in with the knife and others, perhaps at first, a little intimidated by the lack of control over a knife versus a brush. But by the second day, the paintings just emerged beautifully under the more confident hands of these good painters. As for me, I painted the small demo seen above, entirely with palette knives, as a demonstration during the workshop. Everyone worked from my photographs and most were summer scenes. As with the painting above, dealing with so much green in hte summer can be a challenge. There are actually many other colors besides green in the grass and foliage than perhaps can be seen here. I did get a decent start on a second larger painting and hope to finish it this week.

Recent Works

I have been spending the last several weeks working on new websites for myself (www.pat-aube-gray.com) and also for our gallery (www.carriagehouseartcenter.com), so I have not had much time to post here. We have hired a former employee, Sarah, to work in the gallery/frame shop and that has relieved me a great deal. So within the next couple of days, I will be painting most of the time and teaching part of the time! With three commissions to complete and a show at Chateau Elan coming up in September, this is a must!

The only paintings I have been able to do recently have been plein air pieces, when I have gone out with my student groups or the Plein Air Painters of the Southern Appalachians (PAPOSA). The two paintings (above and below) at Butternut Creek in Meeks Park in Blairsville are pastels on paper. One was painted in the morning and the other in mid-afternoon. It is amazing how different the same basic subject matter looks at different times of the day and those differences are readily apparent in my two paintings.



The third piece, an oil, was painted at Crane Creek Vineyard on a rainy, cloudy day. Again the effect of weather and a different quality of light is apparent in the painting. Sometimes I will "doctor" a plein air piece up a little back in the studio, as I did with the pastels because my painting time on location was short (one in the morning, one in the afternoon.) But I worked on the same painting all day at Crane Creek under a cloudy sky, so the light did not change very much. Even though I would like to beef this one up a little with more color variation and a few dark accents and light highlights, I decided to leave it as I completed it that day. I think it is truer to the scene and the weather than if I tweak it. All three of these paintings are available at Carriage House Art Center.

Plein-Air Painting This Past Week

Click on Photos for a Larger View

Wow! I've been painting on location twice in the past week! Last Wednesday a group went out with me from my studio to a local park in Blairsville and we had a great time! It was a beautiful day; I couldn't have asked for better weather. Painted one picture in the morning and another in the afternoon, with a wonderful picnic lunch in between! Everyone left with some great paintings, all in oil except mine. I chose to bring pastels with me that day and I must admit, it is much easier than dealing with oils outdoors. I will complete the paintings in the studio and post them at a later date.

Today I went with four other painters to Jackrabbit Mountain Park in the Nantahala Forest to paint on Lake Chatuge. It was a beautiful setting, but we are having what is called a "dogwood winter." It was cold and windy with the dogwoods in full bloom! This was the first paint-out for the Plein Air Painters of Southern Appalachia (PAPOSA), a newly formed casual group of artists who love painting on location. It was a great day and more are planned! If anyone is interested in joining PAPOSA, email me and I will get you the information.

Students Learn About Values in Color

Oddball, oil on canvas, 9 x 12, copyright Pat Aube Gray

One morning each week, two lovely ladies come to my studio for semi-private lessons. Beginners in oil painting, the two are eager to paint more exciting things than four colored balls on a table, but I find that the color of all the values found in a colored object is difficult for some students to see. Mention shadow and they reach for greys and browns instinctively, instead of the darker values of any given color. For example, the form shadow on the yellow ball is a dark version of yellow, not just any grey or brown. So for this painting, I set up four different color rubber balls and all three of us painted them, with mine being a demo for them to watch as they painted. It was a good lesson and they each did a very good job!

Note that since the balls are rubber, they do not have really strong highlights, such as pool balls might have, for example. Hard, shiny objects reflect light and have strong highlights. Think of chrome bumpers, automobile finishes, apples, shiny table tops, etc. Soft objects, like rubber balls, peaches, and fabrics absorb light rather than reflect it, so the highlighted areas are softer and not as dramatic.

I decided to include the sku label on the yellow ball in my painting. My students were timid in that regard and left it off. SO both I and the yellow ball are "oddballs," hence the title for the painting.

Click HERE to bid on this painting

Sunday Greetings!

New Salem NY Rock Fence, Copyright Pat Aube Gray

Good morning! I painted this scene on location in 2006, but without the light. It was my last painting in an afternoon of work at a wonderful farm in New Salem, NY, established in the 1700's. All I did initially was record the shapes of what I saw and just indicate where the sun was hitting and where it wasn't. This week I overpainted my underpainting with color and light. It was a wonderful scene and makes for a pleasant painting, don't you think?

I was in NY that summer taking a portrait workshop for two weeks with the inimitable master, Daniel Greene. A wonderful experience and I left with a definite realization that sometimes I settle for less than I should and could do! An invaluable lesson for me! Over the weekend, between sessions of the weekly workshops, I went out with other artists to paint en plein aire.

Click HERE to bid on this painting